Misty of Chincoteague and the 100th Anniversary of Pony Penning Day

Today, Wednesday, July 30th, happens to be the 100th anniversary of Pony Penning, the annual round up of wild ponies on Assateague Island and their swim across the narrow channel to Chincoteague Island off the coast of Virginia. The round up and subsequent auction of some of the ponies are undertaken to help control the population size of the Assateague herd, and the auction benefits the local volunteer fire brigade. So this feels like an excellent day to celebrate Misty, the most famous Chincoteague Pony of all time.

Misty and Marguerite Henry, photo from mistysheaven.com

If you were a horse crazy kid like me, you probably read every horse book you could get your hands on. Literary equines like the Black Stallion, Sham, Phantom, Harlequin Hullabaloo, Mokey, and the Crumb fired my imagination, and I have a soft spot for the many model horses inspired by my childhood storybook favorites. Not surprisingly, Marguerite Henry's horse stories were in regular rotation on my reading list.

Misty of Chincoteague is probably the best-known and most-beloved of Henry's books. First published in 1947, it tells the story of Paul and Maureen Beebe, orphaned siblings who are raised by their grandparents on Chincoteague Island. Paul is determined to capture the elusive mare The Phantom in the upcoming Pony Penning Days event. Despite a few hiccups and set-backs, Paul does manage to round up The Phantom, and he and Maureen are eventually able to buy her and the new filly at her side, a palomino tobiano they name Misty. In truth, the book is more about The Phantom and Paul's attempts to train her than it is about Misty. Ultimately, the children release The Phantom back to her wild herd when they realize she's unhappy in captivity, but Misty remains with the Beebes.

The real Misty was actually born on Chincoteague in 1946 at the Beebe's pony farm. Marguerite Henry visited Chincoteague that same year for Pony Penning hoping to find inspiration for a new book. She fell in love with a young Misty and convinced Grandpa Beebe to sell the pony to her. When Misty was weaned, she was shipped to Marguerite's home in Illinois where she lived for 10 years. Misty eventually returned to Chincoteague and had three foals, Phantom Wings, Wisp O' Mist, and Stormy. Misty lived out her life visiting with the thousands of fans who came to see her and her offspring. You can read all about Misty, her descendants, and the people who cared for her on the wonderful Misty's Heaven website. 

Marguerite's book about Misty was an immediate success and won a number of literary awards. In 1961, a movie based on the book was released to great acclaim. The book, the sequels to the book (Sea Star: Orphan of Chincoteague and Stormy, Misty's Foal), the movie, and the many promotional tours that Henry undertook with the real pony and some of her relatives, cemented Misty's place in the pantheon of famous literary horses. Not surprisingly, due to this popularity, a Breyer model of Misty has remained in production in one form or another since its debut in 1972.  

Misty's transition from the printed page to a three dimensional plastic model was not a seamless one however. The real Misty was described as having a map of the United States on one side and a blaze shaped like the state of Virginia. Breyer worked with Marguerite to develop the model and would have had access to photos of the real pony as well as the illustrations in the book. So it's a bit of a mystery as to why Breyer's first attempts at duplicating Misty's pinto pattern were so off the mark. Several test runs with different patterns can seen in the Breyer catalogs in the early 1970s. Some of them appear to have been airbrushed free-hand with no mask, and none of them quite match the first production models.

A few of the oddball test models have made it into the hands of collectors. Fellow blogger Andrea Gurdon owned this unique glossy Misty. I suspect she was airbrushed freehand without a mask, and the edges of the pattern and the tendrils of the mane were neatened up with acetone at the factory. 

 
And longtime collector Sara R. owns this lovely free-hand airbrushed example.

  

The first models that went into production in 1972 were different even than the tests in the catalogs. They are termed "4-eyed" Mistys by collectors because of the spots around each eye, one brown and one white, that sort of resemble spectacles. The pattern on both sides is not especially realistic, and it doesn't really look anything like that of the real pony. Most 4-eyed Mistys are glossy.

Misty was originally sold individually or in a cute carrying case with a softbound copy of the book that inspired the model. The model pictured on the box is yet another test.

Not surprisingly, Marguerite Henry did not approve of the pattern and asked Breyer to change it. The second version of Misty, the "3-eyed" Misty, was nearly identical to the first version, but the pattern on the left side of the face no longer created a circle around the eye. These models are typically matte or semi-glossy.

Marguerite was still not satisfied, and Breyer once again had to re-do the pattern. By 1973, the now-familiar Misty pattern was approved, and it has been in production ever since.

Misty's palomino color has varied hugely over the years, from a rich, nearly chestnut, honey shade to bright lemony yellow to a pale creamy gold, and all of the shades in between.

 

From the get-go, Misty was available as part of the gift set pictured above (made 1972-1981) and individually. (Her foal Stormy was added to the Breyer line up in 1977.)

 

 

During the oil crisis in the 1970s, a few chalky Misty models were made. I have seen both basecoat and chalky plastic examples, but both versions are exceedingly rare. The basecoat chalky Mistys are probably the rarest and most desirable of all of the regular run chalkies made. Collector Tina D. recently found this spectacular example at an estate sale.

 

 

Misty has been sold in several other gift sets over the years such as this one with foals Stormy and Sea Star. It was offered initially in the 1980 JC Penney's catalog and then as a regular run set from 1983-1985. 

Photo from https://www.breyervalueguide.com/

In 1984, an adorable flocked version of Misty and Stormy was offered through the Sears holiday catalog. 

In 1992, the JC Penney holiday catalog offered an unusual Misty in "cold cast porcelain" which is not porcelain at all---it's just resin mixed with porcelain dust. (True porcelain is clay that has to be fired in a kiln to harden and hold a rigid shape. Resin is essentially a type of liquified plastic with various additive powders (i.e. porcelain dust, bronze filings, etc) that solidifies on its own when mixed correctly.) Only 1500 of these models were made, and a number of them broke in shipping. In recent years, many collectors have found that the paint on their cold cast Mistys is flaking off, likely because the resin bodies were not properly scrubbed to remove mold release and/or were not primered before painting. Interestingly, the catalog page shows a model with a face marking that is pretty true to that of the real pony, while the models that actually shipped have the usual round pinto spot around the eye. Most are a yellowy-palomino shade.

The following year, in a joint project with Hagen-Renaker, Breyer offered a true ceramic (fired and glazed earthenware) Misty model. The Performing Misty was made in 1993 only at Hagen-Renaker's factory in San Dimas, CA, and distributed by Breyer. The first examples were shipped attached to their stools, but due to significant breakage issues, Hagen-Renaker quickly switched to shipping the Mistys separate from their stools.

Photo from eBay

Throughout the 1990s and early 2000s, Breyer offered Misty as a regular run, sometimes with her book and/or with her foal Stormy. A few special runs of similar sets were offered through various catalogs and retailers, but the models were no different than the regular versions. 

As part of the Vintage Club in 2020, Breyer produced a miniature version of Misty along with her foal Stormy. Like the Performing Misty, this small plastic version of Misty has a Hagen-Renaker tie-in. This Misty was issued on the Stablemate G1 Quarter Horse Mare mold, a model that was originally sculpted by Maureen Love as the Mini Head Down Horse for Hagen-Renaker. Stormy was issued on the newer G3 Standing Foal mold sculpted by Jane Lunger. Only 500 sets were made, and Misty sports a tiny retro blue ribbon sticker.

The year 2022 marked the 75th anniversary of the publication of Misty of Chincoteague, and Breyer celebrated by releasing a new gift set featuring Misty as a foal along with her dam, The Phantom. This Misty model is Breyer's most accurate rendering of her pinto pattern.

Photo by Breyer

Breyer has been associated with Misty of Chincoteague for more than 50 years, and the company has long been a supporter of the Misty of Chincoteague Foundation, an advocacy group that promotes literacy, reading, and the preservation of the places that Misty called home. Every year, part of the proceeds of the BreyerFest auction go to the foundation to help keep Misty's legacy alive. Breyer has also helped support the Museum of Chincoteague Island which successfully raised money through donations by horse lovers to buy the Beebe Ranch in 2023 to save it from developers. 

It's a testament to Marguerite Henry's genius that the story of Misty still sparks the imagination of horse lovers, both young and old, all these decades later. What young horse-obsessed child doesn't dream of gentling a wild pony of their own and having madcap adventures? I know I certainly did. One of these years, I plan to make the trip to Chincoteague to see the famous pony swim and to visit all of the important places Misty and her offspring called home. And of course, I will definitely bring a Misty model along with me!

There and Back Again: A BreyerFesters Tale

BreyerFest #36 is in the books, and as always, it was wonderful to get away to horse country with my family and to see so many of our friends. My sister and I spent several months before BF working on our preparations for the event, and as fun as it was, I am relieved to be home with no immediate obligations or deadlines. I am really looking forward to putting my feet up (metaphorically) and working on some fun projects for myself that have been on the back burner due to lack of time. (Not that the projects I have been doing for the past 4 or 5 months haven't been fun---they've actually been really inspiring---so I'm thrilled to have a chance to put that creative mojo to work.)

Anyhoo, for me, BreyerFest felt like it started the week before I left because it turned out to be pretty epic mail-wise. I received a box of trade goodies I'd eagerly been anticipating, especially this lovely Vintage Club In-Between Mare. I just need to find the bay now, and I'll have the complete VC trio. 

As if that weren't enough, my Breyer club mail came in all at once, including the Vintage Club Mustang Family (another trade), my Premier Club Cosimo, and my Stablemate Club Spencer. 

Hooray for getting the color I most wanted!

Cosimo is stunning! I need more!

As if the above models weren't awesome enough, I also scored a green Breyer Money Manager on eBay which arrived that same week. This made up quite nicely for me not having much to spend at BF this year although I did find some fun stuff for cheap. But more on that later. 

As usual, I flew down to Georgia a few days early to meet up with my family and to finalize our BreyerFest live show string. My sister Sarah does a lot of the prep work ahead of time since she lives down there, and she also helps me by photographing models for this blog and other projects. So I was really excited to be able to gift her a box full of thank yous for her many hours of hard work when I arrived. It took all of my willpower to keep this particular pair a secret! 

We hit the road for Lexington on Wednesday morning and made good time, arriving at our hotel late in the afternoon. One of the many painted horses that dot the Lexington area stands right outside the front door of our hotel, so we took the obligatory selfie.

The open show this year was two days, Thursday and Friday, so that unfortunately nixed our plans for Breakables as well as for getting any appreciable amount of sleep. Nonetheless, with the aid of coffee and sugar, we survived two long (freezing cold, like Rupp-Arena-during-NAN cold) days showing and were happy to do well both days. 

In particular, as giant nerds for vintage models and oddities, we really enjoy the collectors classes that kick off the show first thing both mornings. On Thursday, I was thrilled to win second place with my mini collectors class.

On Friday, Sarah and I both set up collectors classes for the main collectibility day---she did theme while I did variety. Collectors classes have long been a live showing tradition though they are sadly less common these days. They are meant to showcase a collector's rarest and most desirable models, and as Sarah and I strive for old, rare, and weird in our collections, we have loved putting together collectors classes for shows since we started showing in the early 1990s. Sarah and I both won second in our respective divisions. 

Sarah's Fury Prancer-themed set-up

My vintage variety set-up

We managed a couple of hours of shopping and looking around at the CHIN on Wednesday and Thursday night, but by Friday night after two very long days that started at 4:00am, we just ordered pizza and face-planted into bed. 

Saturday is always our park day, so we slept in some before heading over to the KHP to collect our special run models and raffle tickets. Sarah and I both opted for the Lassie and the surprise for our special run choices. Sarah lucked out and pulled the glossy decorator Totilas, but I decided I didn't really care enough for any of the surprise colors to bother buying one. 

We then headed over to the guest horse barn specifically to see Dani, the 2021 celebration horse. She was just as gorgeous in person as we expected, and we were delighted to get to pet her and get an autograph from her owner. 

 We also got to see Athenian Lady again, the 2024 celebration horse...

And we found Tight Lines, this year's celebration horse, just as he was warming up to go into the covered arena. 

Having acquired the beginnings of a sunburn by that point, we headed for shade and air conditioning for a bit in the visitors' center before making our annual pilgrimage to see Man O' War. The Kentucky Horse Park is a special place, and MOW's grave has a bit of an otherworldly aura about it, fitting for the greatest American racehorse of all time.

We closed out our park visit by once again not being picked for the raffle. We only ever spend about $25 on tickets though, so our chances are never great. This is what comes of being raised by the children of frugal Great Depression grandparents, haha!

A big crowd for the Saturday raffle

We did a bit more visiting at the CHIN on Saturday night before calling BF a wrap. Neither of us bought a whole lot and nothing very expensive. I bought a few small Hagen-Renakers including a DW mushroom I've been wanting for ages and a few other fun odds and ends. 

Some purchases and a few gifts from friends

I did find one very interesting oddity (not pictured) for $10 late on Saturday that I am quietly freaking out about. I need to finish cleaning off paint from an old repainting attempt, but it looks promising. Once I'm confidant I'm not seeing things, I'll share more about that model here. (Cliffhanger!)

The last thing I got at BF was a little gift from my sister. In keeping with the Hagen-Renaker plant theme of my DW mushroom purchase, I brought home another HR-related plant, but this one is real. Years ago, Dawn Sinkovich of Share the Love gave me and Sarah kalanchoe seedlings that had come from Maureen Love's garden. I wasn't able to take mine on the plane, so I sent it home with Sarah, and both plants have thrived under her green thumb. This year, Sarah brought tiny little kalanchoe sprouts from the original line of plants, and I was able to carefully wrap one little pot and tuck it in my purse during my flight home. It's now sitting in the ivy-shaded window of my office, and hopefully I won't kill it by over-watering it. (I love succulents too much sometimes...) Maureen's influence lives on in our hobby in so many ways, and I'm thrilled to nurture this little remembrance of her garden.