Friday, July 17, 2026

Viking BreyerFest, Part 1: We came, we saw, we pillaged

Being largely of Norwegian and Swedish descent, my sister and I decided to lean hard into this year's Scandinavian BreyerFest theme (especially since the pandemic denied us the opportunity to be ridiculous for the Celtic Fling theme in 2020). This largely consisted of goofy social media posts... 

 
Sarah's apropos festing gear...


 and silly shirts.

"Some of us will have to sit up front with the lutefisk."

Those of us of a certain age will still sing the jingle.

Mom's dala horse shirt is adorable.


Look, I told you we're nerds.

Sadly, my dad's "McOlson's Lutefisk Burgers - One Sold" shirt is in need of replacing, so it was only with us in spirit. We also forgot to order more lefse, damn it.

The annual BreyerFest drama kicked off before we and our nonsense arrived in Kentucky. The host hotel, the CHIN (Clarion + [formerly the] Holiday Inn North), may or may not be allowing room sales next year. The whole hotel is being renovated and things are going swimmingly, but only in a very literal, the back-half-of-the-hotel-flooded (more than once) sort of way. Heavy rain storms caused a terrent of water to flood down this hallway and out into the back lobby by the 500 and 600 room block several days in a row. The infamous carpet there was definitely getting whiffy by Saturday. Uffda. There was also melodrama over whether or not room sales signs would be allowed, construction debris taking up precious parking spaces, and other shenanigans, but I'll leave that all for Facebook.

(Photo yoinked from Shauna)


We arrived late Wednesday afternoon, and the first of the daily downpours met us as we cut through downtown. 


Luckily, our hotel has an overhang out front, and we were able to unpack the van pretty quickly without getting soaked. After a quick dinner, we headed over to the CHIN to see the Hagen-Renaker Tennessee Clinkees sale in The Horse You Want (BHR) sales room. Much loveliness was on display, and a bunch of our favorite china collectors happened to wander through while we were visiting. It was an excellent way to start BreyerFest!


While wandering the halls later, we stumbled upon a strange clinky...



She appeared to be embroidering with bloody thread.




And she came with a warning.





I contemplated rescuing her for the laughs, but decided it wasn't worth the risk and put her back on her perch. She had migrated to another floor the next time we saw her. I hope whoever has her now has put a circle of salt around her at the bare minimum. 

We ended the evening with safe, uncursed clinky loot from Kristina L, Heather W, and Ed A. More pix forthcoming. Not bad for our first evening's raid on the CHIN!

My adorable HRTN Bibelot line Calendar foal

Monday, June 8, 2026

The Wellmans Had a Wonderful Weekend

A week ago Saturday morning, my sister Sarah texted me to say that she was about to hop in her car to drive two hours north to an estate sale near Athens, GA, my old undergrad stomping grounds. We had been aware of the sale---which was by then on its third day---since earlier that week, but my sister had been stuck with work obligations and hadn't been able to get time off to go. The estate photos revealed some potentially interesting horse-shaped objects in the sale, including a Hagen-Renaker cutting horse and steer. Luckily, the sale was pretty much in the middle of nowhere, and the horses were still available when my sister arrived. She was delighted to see that while both the horse and steer had some breaks, they weren't missing any pieces, and they would be easy to repair. She was also pleasantly surprised to see that the pieces were from the San Marcos factory rather than the Monrovia factory as we'd originally thought. While neither of us have gone out of our way to collect San Marcos pieces, it's hard to resist a nice glossy!

Sarah's obligatory car loot photo

When I got the "Victory!" text and photo above from my sister, my SO and I were I just rolling out for the day on our own antiquing adventure. The weather is finally pleasant here in Chicago, and we decided to get out and about and have a little fun. Part of the day's shenanigans involved stopping in an antique store we hadn't been in before. I never really expect to find anything when I'm out model horse hunting, but it's always fun to look, and even spotting an overpriced Family Arabian is better than nothing. There's something reassuring about seeing things I collect in the wild---it gives me the sense that somewhere out there, something special is lurking, just waiting to be found. 

And it turns out that I found that somewhere and that something last Saturday. You can imagine my absolute astonishment when I turned a corner into a new aisle in the antique shop and spotted this very rare Breyer sewing kit Poodle in a glass case about 15 feet ahead of me. I pretty much teleported to it, grabbed it, and texted my sister a photo with a bunch of exclamation marks. We were suddenly both having really amazing days!

This Poodle was made as a special run for the 1957 Sears Christmas catalog. They came in black like this with a red cape or in white with a blue cape. My mom, sister, and I have managed to acquire a couple of examples of both colors via eBay, but we've never found one with the original accessories. Until now. 

I'm still on cloud nine about this!

1957 Sears catalog ad


As you can see in the photo and the ad close-up below, my new dog has the original thread spools as well as the needle, stick pin, and safety pin with a little button attached just like in the ad photo. It appears that this set was never used, and I suspect it has been in a box or a curio cabinet ever since it shipped from Sears in 1957. (I do have the thimble as well but forgot to include it in my photo. Doh!) The dog is absolutely new-out-of-the-box mint, and the red cape is bright and unfaded.




And here's one of our white Poodles with the blue cape and replacement sewing notions. 


I would have been blown away to find the Poodle with just the cape, but to find the original accessories still with the piece after almost 70 years is such a thrill. Even though we're more than 800 miles apart, my sister and I may have to coordinate our future model horse hunting escapades. We seem to have brought each other good luck! 

Sunday, May 24, 2026

Kroll Western Pony Mystery Solved

I am shamefully late getting this post written up, but here at last is the story of the Kroll copy of the Breyer Western Pony...and his racehorse friend! (This feels like a They Might Be Giants hobby filk song? Iykyk.)

Anyway, dumb jokes aside, when I wrote my multi-post series on Western Horse and Pony shaped objects back in 2020, I included what little was known about the copies of Breyer's Western Ponies marked "KROLL." A few years later when I happened to be in Shipshewana for Stone Horses Country Fair, I received a fascinating email from the daughter of one of the men who founded the Kroll company. I had every intention of writing this up sooner (story of my life), but I have had so much on my plate that time got away from me, and other subjects pushed ahead of this one. But having received another email last week asking about Kroll ponies, I decided it was time to pull this post out of the draft folder and finish it up. So, without any further ado, here is the Kroll story.

Like so many other plastic manufacturing companies, the Kroll Trading Company was started in the 1950s. It was founded by brothers Jack and Walter Kroll, and their first injection molding factory was located on Greene Street in New York City. The email I received came from Jack's daughter, and she and her cousins believe that the Western Pony copies were made at that location at that time because the handful of Kroll boxes that have been found by collectors say "NYC" on them. This timeline is also corroborated by the presence of a two-digit postal zone number in the address on the boxes rather than a five-digit zip code. (Postal zone numbers were used in large cities beginning in 1943 and were replaced by zip codes in 1963. Breyer introduced their Western Pony in late 1952, so the Kroll ponies likely date to the mid- to late -1950s.)

In the 1960s, the factory moved to Long Island where the Kroll brothers began to make other toys and products with molds they bought in Hong Kong. They were no longer making ponies at this point, and instead were focused on beach toys like sand pails and shovels as well as practical products like record racks. Jack and Walter retired in the mid-1970s and sold the company. 


My interest in Kroll ponies began in the early 1990s when my mom and I would go out to the Lakewood flea market on the south side of Atlanta to look for model horses. I have a very distinct memory of wandering down an aisle in one of the buildings and spotting a gold horse about 20 feet ahead of me. One of my nerdy superpowers is model horse shape recognition from a distance or from weird angles, so I could see right away that this gold horse was Western Pony shaped. I made a beeline for it, but as soon as I picked it up, I could feel that the weight of the plastic was wrong. It was too light. I also realized that the model had the mane sculpted on both sides of the neck instead of just the left like a Breyer, and it was marked KROLL on the belly. I wasn't buying knock offs at that point, and $15 was a lot of stall cleaning money back then, so I left it behind, but it made an impression on me. Thirty-odd years later, I paid a lot more to get my hands on the gold pony pictured above. Hindsight, etc etc!

As I wrote on my Western Horse copies post, the Kroll ponies come in several colors, but they are not painted---they are instead molded in different colors of plastic. Most are just solid colors, but occasionally, some were made from swirly plastic. Black and dark brown seem to be the most common colors. Here's my little conga of black, brown, swirly ochre, and gold. (The black pony's bridle was painted silver by a previous owner.) 



To the best of my knowledge, the ball chain reins are original, and the ponies may have come with slip-on saddles that were copies of Breyer's snap saddles for Western Ponies (but sans girth). I have only seen one example owned by another collector that has such a saddle, but it looks as though it could be original. I'm honestly not sure though, and I would love to hear from any collectors that have found ponies with saddles like this. I suspect some---maybe many?--- of these ponies were sold without saddles. I haven't ever come across saddles in this style that match the gold or white ponies for example. (Or if they had saddles, maybe they were a different color than the pony?)

Owned and photographed by Sharon Peden


Mold mark on my swirly pony

Double mane



Close up of my swirly pony

 

A swirly white pony owned by Sharon Peden

Some Kroll ponies seem to have a molding flaw along the side of their rump. It's not an open crack, but it looks a bit gnarly. It's most easily seen on the gold ponies. I can't help but wonder if the molding flaw led to their discontinuation.



Kroll ponies were also sold mounted on a display base as seen with this model pictured on the Model Horse Gallery website. Interestingly, the box illustration shows a pony with reins but no saddle. It came with a little slip of gold leaf to personalize the base. This pony and the base are molded in black plastic. (Incidentally, the gold leaf packet is the same brand that was sold with the Breyer Proud Arabian Mare grooming kit in the 1958 Sears holiday catalog.)


A good friend clued me in to one of these ponies on the base on eBay, and I was delighted to finally get one in hand to examine closely. My pony is brown plastic on a black base. It has a gold souvenir sticker affixed to the front that is unrelated to the gold leaf slip that is shown with the boxed set above.


The pony is marked Kroll as usual, but the base is just marked "Enterprises" and "USA" on the underside. Above the word Enterprises is a scratched out space that appears to have been another word. It's possible that the base was one of the molds the Kroll brothers bought, and they simply removed the name of the previous maker. Kroll Western Ponies are somewhat hard to find, and I'm only aware of two of them on a base like this at the moment. If you have one, too, especially in a different color, I'd love to know about it!


 

As far as I know, Kroll only made one other horse, and as best I can tell, they seem to be hard to find. They are however entirely unmarked, so it may just be that they're flying under the radar. The model is a race horse, and both of the examples I've seen are molded in brown plastic. They came in this spiffy illustrated box, and like the mailer box above, it also has a two-digit postal zone number printed on it, so it presumably dates to the 1950s as well. 



 

 
The racetrack illustration on the front of the box appears to be Aqueduct...
 
 


...and the grandstand in the background of the inner box panel appears to be Belmont. What could be more apropos for a company originally based in New York City?

 


The Kroll Western Pony copies must have been made no earlier than about 1954 and likely no later than about 1963. The Race Horse model presumably falls into that same date range. I hope to someday come across an ad for these models or maybe even an old Kroll price list or catalog. In the meantime, I'd love to hear from anyone who has an interesting Kroll model to share (or sell!). I hope you enjoyed this post!
 
And many, many thanks to Susan and her family for sharing their memories of the Kroll Trading Company with me!

Tuesday, April 14, 2026

Hagen-Renaker Collectors Club membership drive!

Hello, friends! The Hagen-Renaker Collectors Club is once again holding a membership drive, the first in five years, to help keep club fees affordable for all of the clinky fans out there. Joining the club is only $34 per year, and members get access to exclusive Hagen-Renaker models, everything from regular runs to test runs. Members also have access to the online Field Guide as well as past newsletters---both are a treasure trove of information on HR runs, color variations, production dates, ephemera, and more! And, every member also receives the HRCC Annual every year full of interesting articles and photos about the company's history, market trends, encyclopedic information about interesting HRs, etc. It's always a fun read, especially if you still enjoy curling up with a beverage and some tangible print media like I do.

You know you want to sit down in a cozy chair and read this!


If you're interested in joining the HRCC, please see the Membership page on the club website HERE and please list me (Kirsten Wellman) as the person who referred you. **Please note that memberships are processed by hand by a club volunteer, so please keep an eye on your email address connected to your Paypal account for follow up information on accessing the club website.** Thanks so much for supporting the club and the hobby's oldest model horse manufacturer (81 years and counting)!

https://hagen-renakercollectorsclub.com/membership/



Tuesday, April 7, 2026

The History Between Hagen-Renaker and Breyer, Part 2: The Classic Scale Families and Racehorses

In my last post, I wrote about how the relationship between Hagen-Renaker and Breyer began with Breyer's unauthorized copies of Hagen-Renaker's large Arabian family, Zara, Zilla, and Amir. After negotiating to re-release the Proud Arabian Mare and Foal in the early 1970s, Breyer also came to an arrangement with Hagen-Renaker to produce some of their smaller molds in plastic, what we now know as the Classic and Stablemate lines. This post will cover the Classic scale models. 

In the early 1970s, Hagen-Renaker sent Breyer a variety of bisque horses from their Designer's Workshop and Miniatures series to consider for inclusion as plastic models in the Breyer line. These models were all sculpted by Maureen Love and are often referred to as "Love molds" by collectors. Some of these bisque pieces survived and have happily made it into the hands of several collectors. The horses pictured below are owned by Liz Cory who received them from longtime Breyer retailer and company friend Stuart Bentley. Liz said that some of the bisques were "marked up for production but were never created in plastic. Instead, as Peter Stone told me, they were kept on a shelf in the 'executive men’s room' until the Breyer Chicago factory closed. Stu Bentley visited the factory when they were closing up and he saw these bisques about to go into the trash. He took these bisques home, where he and Mrs Bentley proudly displayed them in their Des Plaines living room for decades until the house was sold. This group then came to me, and they joined additional bisques that I got from Marney [Walerius]." [1]

Photo by Liz Cory

Breyer ultimately chose 14 Designer's Workshop Hagen-Renaker molds to produce in plastic for their Classic series, the first three being Sheba, Sherif, and Fersyn. Breyer issued them as the Classic Arabian family beginning in 1973. 


Unlike the Proud Arabian Mare and Foal before them, the Classic scale horses are exact copies of their Hagen-Renaker antecedents, but the Hagen-Renaker originals are a smidge larger than their Breyer counterpoints. The Classic Arabian Family was featured in a beautiful color photo on the cover of the Breyer dealer and box catalogs the following year (1974). 

HR Sheba (left) and Breyer Classic Arab Mare (right)


HR Ferseyn (left) and Breyer Classic Arab Stallion (right)


Breyer Classic Arab Foal (left) and HR Sherif (right)

 

In 1974, the second Classic scale family, the Quarter Horse Mare, Stallion, and Foal, was released based on Hagen-Renaker's Erin, Two Bits, and Shamrock models. And just like the Arabs, the Quarter Horse family got their color photo glamor shot on the cover of the following year's catalog in 1975.

I've always found the Breyer Classic Quarter Horse Mare to be a little wonky, especially for a Maureen Love sculpture. Her body and neck seem a bit too long and thin for her short legs. When we finally  acquired a Hagen-Renaker Erin a few years ago, I was fascinated to see the differences between the two pieces. It appears that the Breyer mold ended up slightly skewed proportionally from the HR original which is far more attractive in my opinion. 

Breyer Classic QH Mare (left) and HR Erin (right)


Happily Two Bits seems to have translated to plastic without any problems. Likewise for the foal, but unfortunately, we don't have a Hagen-Renaker Shamrock in our collection yet, so I don't have a comparison photo to share at the moment.

HR Two Bits (left) and Breyer Classic QH Stallion (right)


In 1975, Breyer released five new molds based on the exquisite Thoroughbred portrait models Maureen Love sculpted for Hagen-Renaker---Man O' War, Swaps, Terrang, Sillky Sullivan, and Kelso. 

HR Man O' War (left) and Breyer MOW (right)
 
HR Swaps (left) and Breyer Swaps (right)
 

HR Terrang (left) and Breyer Terrang (right)


HR Silky Sullivan (left) and Breyer Silky (right)


HR Kelso (left) and Breyer Kelso (right)



The last of the Hagen-Renaker molds to debut in plastic for the Classic series was the Mustang family in 1976 based on Daisy, Comanche, and Butch. (Apologies for not consistently keeping the HRs and Breyers on the same sides for the photos!)


Breyer Classic Mustang Stallion (left) and 
HR Comanche (right)


HR Daisy (left) and 
Breyer Classic Mustang Mare (right)

 
HR Butch (left) and 
Breyer Classic Mustang Foal (right)


As I wrote in my last post, these Hagen-Renaker derived molds remained in Breyer's line up for the next 30 years until a dispute over licensing royalties in 2005 brought the arrangement to a screeching halt. Though the companies "settled," whatever the terms were precluded Breyer from continuing to use their molds based on Hagen-Renaker's designs. By 2006, the Hagen-Renaker molds available the previous year had been swapped out for other molds sculpted by other artists. For example, the red roan Classic Arabian Mare and dark bay Classic Arabian Foal in the #62003 Arabian Mare and Foal set were switched out in favor of the Classic Johar mold sculpted by Chris Hess and the Classic American QH Foal sculpted by Kathleen Moody as seen in these photos from the 2005 and 2006 Breyer dealer catalogs.



And then in August of 2014, Breyer suddenly announced a new web special available only to Collector Club members on the Classic Arabian Mare mold, a lovely chestnut tobiano named Cosette. The following year, a matching stallion and foal were issued, also as web specials. In the 10+ years since then, the Classic scale Love molds have slowly reappeared as Breyer web exclusives and Vintage Club editions. They have all been limited releases until 2025 when the Classic Arabian Mare trailblazed her way back into brick and mortar stores just in time for Breyer's 75th anniversary. I was delighted to be able to pick one out over the holidays from the hobby shop my dad frequents.



As of this writing in early April 2026, all of the Classic scale Love molds have reappeared except for Kelso and Silky Sullivan. Perhaps we'll see them in a future Vintage Club release, a limited web special, or maybe even back in stores once more? I am definitely ready for some new Thoroughbreds for my congas! 

_________________________________________________

Sources:

1) Online conversations with longtime collector and former Breyer employee Liz Cory in February 2023 and February 2026