The Beginning: Mastercrafters
Our story begins in 1939 with the advent of the Mastercrafters Clock and Radio Company founded by Ben and Kate Lerman in Chicago, lllinois. They made a few clocks early on, but when WWII broke out, their production shifted, like that of so many other companies, to aid the war effort. After the war, the company returned to clocks and patented a number of popular designs including ships, airplanes, a girl on a swing, and so many more. Some manufacturing and assembly were done at the Mastercrafters factory in Chicago, but they did also contract out with other companies for part molding and even clock movements. (This is why some Mastercrafters clocks have Sessions movements.)1 Mastercrafters’ array of clocks show a particularly savvy understanding of post-war tastes, beginning with ships and planes and moving on to more abstract, mid-century modern styles. As all things Western grew in popularity in the late 1940s, Mastercrafters saddled up and hopped on board that trend as well, debuting a horse clock in late 1948 or early 1949.2
According to Mastercrafters experts W. Clarke Eldridge and William F. Keller in a 2004 article in the National Association of Watch and Clock Collectors Bulletin, Kate Lerman herself was the artistic genius behind many of the company's most popular clock designs.3 A quick patent search shows she was responsible for a number of interesting clocks including the Melody Cruiser, a combined clock and radio in a stylized sailing ship housing. I have yet to track down the patent records for the Mastercrafters horse clocks (if they exist; the patent numbers referenced in Nancy’s book pertain only to the clock mechanism), but it stopped me in my tracks to think that maybe, just maybe, Kate Lerman dreamed up the horse clocks. Wouldn't it be something if we owe all of our plastic horse collecting obsessions to a woman?
The exact history of the Mastercrafters horse clocks has been lost over the years, but collectors have been able to piece together a reasonably solid timeline. For many years, what we now know to be Hartland Victor horses (as well as a variety of copies!) were all believed to be Breyers, but in the early 2000s, a group of collectors led by Hartland expert Mike Jackson and Breyer expert Nancy Young began to suss out the truth based on a variety of small clues.
Mike has an exhaustive explanation of this research with relevant pictures and evidence on his website here, and I highly recommend that all model horse history nerds read it if they haven’t already done so. The gist of this research is that Mastercrafters turned to Hartland Plastics to produce the plastic injection molded horse and base for their clock design in early 1949 or possibly the year before. Yes, the Hartland came first!
The earliest examples of these clocks feature what we now know to be the Hartland Victor model, and the evidence collected by Mike and his fellow researchers proved that this horse was available into 1950. Near the end of that run, Hartland introduced a similar horse with a wavy tail now known as the Hartland Large Champ. Why they switched to a new sculpture is unknown. At some point in 1950, Breyer replaced Hartland as the manufacturer of the horse models for the clocks.
|Left to right: Hartland Victor clock, Hartland Champ clock, Breyer Western Horse clock|
(Champ clock owned and photographed by Barrie Getz)
Hartland Victor Clocks and Horses
Hartland Victor clocks are not exactly common, but of the three styles of horse-over-the-clock, they are by far the most easily found. They exist in two basic colors with variations known to each, white/cream and palomino/sorrel-turned-green. The white/cream horses usually have dark brown shading or antiquing in their manes and tails (often referred to as the “cream puff” version), but some do appear to be all white other than their eyes, hooves, and some tack detailing. The shading/antiquing is extremely fragile however, and it’s possible that some (maybe even all?) of the solid white horses found by collectors may have simply been cleaned over-zealously at some point. (A soft toothbrush, soap, and water will take the color right off; more than one collector has accidentally done so.)
|Hartland Victor horse over clock in white/cream|
The palomino/sorrel-turned-green horses, dubbed “bile green” by Nancy Young, are usually an unfortunate shade of yellow or green with softer greyish-brown or brown-black shading. Light and dark versions exist, suggesting that the originals may have been two different shades of tan or brown. Or they may simply be examples of color variations within the run. We don’t know for sure. They are less common than the white/cream Victor horses.
|Hartland Victor over the clock in bile green|
Many of the white/cream Victor models have stains under their saddles where the brown saddle color bled into the white plastic of the horse. Conversely, many of the green horses have patches of their original color hiding under the saddles.
|Hints of the original sorrel color under the saddle on the green Victor. The|
delineation between brown and yellow-green is pretty distinct.
As seen in the pictures above, Victor horses came on two different colors of clock base: marbled brown or pale yellowy-green with reddish faux marbling. (The lighter color when used on other Mastercrafters clocks was referred to as "onyx.) I have seen white/cream horses on both bases, but so far, the only bile-green examples I’ve seen have been on the light-colored bases. In general, the white/cream horses also usually have dark brown saddles with gold or white washing on the skirts while the bile-green horses generally have saddles molded in white plastic and painted in similar shades of (what has become) yellow, green, and grey/brown to match the horse. Most of these saddles are the slip-on style with no girth, but a few in both colors have been found with a vinyl girth that buckles rather than snaps. The girth is attached to the saddle with what appear to be small nail heads (rather than the hollow grommets seen on Breyer saddles).
|No girth on my Victor clock horse on the left vs a girth with nail head on|
Barrie's free-standing Victor on the right. Note also the variations in yellow
and green shades and saddle decoration.
The bits on most Victor horses are a solid metal bar with a small hole in each end through which O-link reins are attached with small clips. The reins on a few are attached to a wire bit with small round jump rings instead (as is more typically seen on early Breyer Western Horses). These may be late examples. Some have no bit at all, and the reins are just passed through the mouth and held together with a small round ring. Interestingly, a few Victors have been found with no holes in the mouth at all for a bit.
|Standard bar bit with clip attachment to reins|
While there are some subtler sculptural differences between the Hartland Victor and the Breyer Western Horse, such as the angle of the hooves and the contours of the mane and tail, the easiest way to tell the difference is the shape of the conchos on the bridle. Hartland horses have several pointy, “diamond-shaped” conchos while Breyers just have round ones.
Some free-standing Victor models---with no pegs or no holes drilled in the feet for clock assembly---are known. Again, of the examples in collectors’ hands, the white/cream horses outnumber the bile-green ones.
Hartland Champ Clocks
The Hartland Champ clocks were probably only made for short time in 1950. About a dozen are known to collectors. All of the ones I’ve seen are cream colored with shading/antiquing in the mane and tail like the earlier Victor horses. The most obvious difference between these horses and the Victor or Breyer Western Horses is the wavy tail and the mane on the right side of the neck.
The Champ models do differ from the Victor horse in other ways. The musculature of the body is subtly more refined as is the head. The conchos on the cheekpieces of the bridle are a bit smaller, and the breastcollar is scalloped on the bottom edge only instead of being comprised of full conchos.
|Barrie's Hartland Champ clock|
After its short stint on the clocks, the Hartland Champ model was eventually sold free-standing in a variety of colors, some with generic cowboy or cowgirl riders, and in about 1954, a smaller version was released (after Breyer had released their Western Pony apparently). There are far too many for me to address here, and the clock Champs are the only ones relevant to this series of posts for the time being. For more information about non-clock Champs, Gail Fitch has an excellent book available called Hartland Horsemen.
Breyer Horses Over the Clock
Like the Hartland Victor models they were copied from, Breyer’s first Western Horse models came in alabaster or palomino. The alabaster horses usually have antiquing in the mane and tail like the Victors, and it is likewise quite fragile. Solid white examples are also known, but they may or may not be formerly antiqued models. As with the Hartland Victors, we just don’t know because so few examples are in the hands of collectors. The palominos happily have retained their original color unlike their Hartland brethren. The alabaster horses over the clocks usually have black hooves, but I have seen both black and grey-hooved palomino examples. (The grey-hooved example may not have been original to the clock.) A number of these early Western Horses are made from chalky plastic.
|Breyer Western Horse clock in palomino|
Breyer horse-over-the-clock Western Horses, regardless of color, only seem to have been issued on brown bases. Both the palomino horses and the alabasters usually had brown high grommet snap saddles. Like the Victors, they have been found (rarely) with bar bits and clips, and more typically with the O-link reins attached to a wire bit with round jump rings. A few are bitless as described above. The sample size for these clocks is small, so more variations may come to light.
Breyer Western Horses Beside the Clock
By 1951, Mastercrafters had begun selling the more commonly found clocks with horses standing beside them. The clocks are inserted in an enameled metal, horseshoe-shaped frame decorated with a bas-relief of a cowboy roping a steer. The bases are a marbled brown color that resembles tortoise shell. As usual, the horses may be either alabaster or palomino. These clocks were likely made for several years because they exist in far greater numbers than any of the other styles.
The earliest examples have black hooves, and the alabasters had the usual antiquing. They also usually have O-link reins and high grommet saddles. Later examples have grey hooves, although again, these may not be original to the clocks. A number of them have been found with cream colored felt saddle pads. We don't now for sure how long these clocks were made, but probably until 1953. (Nancy Young found however that by late 1953, Breyer had made the switch from O-link reins to the twisted chain reins still used today, so that likely gives us a pretty solid end date.)4
|An antiqued alabaster version|
|A solid white alabaster version|
|A palomino version|
While models by both companies have been copied over the years, the Hartland Victors and Breyer Western Horses seem to have been copied particularly often by a number of companies. Collectors have been able to identify a number of these copies and make reasonable guesses about when they were made, but a few are still mysteries. Interestingly, some of these copies are of surprisingly good quality and are becoming collectible in their own right. More on those oddities and how to spot them in the next installment!
Part two about Hartland Victor copies can be found here.
(Also, if anyone has a Hartland Champ clock for sale, please contact me at mumtazmahal (at) gmail (dot) com. Thanks!)
1. Eldridge, W. Clarke, and William F. Keller. The Mastercrafters Story: 1939-1988. National Association of Watch and Clock Collectors Bulletin, August 2004.
2. Mike Jackson's article on Mastercrafters Clocks: https://myhartlands.com/?page_id=276
3. Eldridge and Keller.
4.Young, Nancy A. Breyer Molds and Models: Horses, Riders, and Animals. (Schiffer Publishing Ltd: Atglen, PA), pg. 345.