Monday, September 14, 2015
The best week ever
The following Friday afternoon, still happily buzzed by an event I had begun to despair I would ever witness, I found myself noodling around on the internet and chatting with my mom. She asked me to take another look at an item that was part of the Hagen-Renaker archives estate dispersal, and as the eBay home page loaded, it flashed up a group of suggested auctions based on my interests and buying habits.
My heart nearly stopped as I glanced at the most recently listed items. There, staring me in the face with a buy-it-now of $15.99, was a random horse-shaped-object paired with my holiest of holy grails, a woodgrain Proud Arabian Foal. My hands went clammy and started to shake, but my fingers flew across the keys and completed the sale in seconds.
The few days that followed waiting for USPS to deliver the box felt like the longest I'd ever endured. I was terrified the foal would somehow be lost or misdirected or broken in transit. On Tuesday of the next week, the box was listed as out for delivery, and I was on edge all morning waiting for the mailman to reach my work place. Just after lunch, I heard the telltale rattle of a hand truck exiting the elevator. I grabbed my key to the mailroom and flew up the stairs. Sure enough, my box was waiting.
My family has had some amazing luck finding rare models over the years in flea markets and antique malls, but this little filly is hands down the best find of my life. I can still hardly believe it. Somebody pinch me!
Wednesday, September 9, 2015
Collectibility test: Breyer history timeline
1) Create a Breyer history time line including the following information (please provide the year or years as close as possible): First Breyer horse issued, Reeves takeover, chalky era, decorator era, blue ribbon sticker era, first JAH issued, first BF, woodgrain era, general introduction of round Breyer stamp, general introduction of USA stamp, catalog year each of the four major scales was released (traditional, classic, little bit, stablemate)
When I posted the list of test questions on Facebook, I was bit disappointed to see some responses from collectors who couldn't understand the importance or relevance of this question. In my opinion, how can a person understand the collectibility of the models a company has produced if they don't have a fundamental understanding of the history of the company and the events that drove the changes to its product line?
Knowledge of Breyer's history is ultimately how we determine rarity after all. This question serves to provide a basic, baseline point of reference to determine how knowledgeable a judge is likely to be about the finer points of collectibility. In my opinion, anyone who wishes to judge Breyer collectibility should be able to reel off the answers to this question quickly and easily.
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| The very beginning, the Western Horse Clock |
They are as follows:
1950 - First Breyer horse issued (which was the traditional scale Western Horse)
1959-1973 - Woodgrain era
1960 - General introduction of round Breyer stamp
1964 (approximately) - Decorator era (For sure they were available in 1964 as we have a price list and sales sheet from that year listing them. They may have been available as early as 1963. The decos however were duds and were likely discontinued at the end of 1964 after poor sales.)
Early 1960s - 1971 - Blue ribbon sticker era (The smaller stickers came first; the larger stickers were later.)
1970 - General introduction of USA stamp
1973 - First classic scale models introduced (Classic Arabian Family)
1973-1975 (roughly) - the chalky era (triggered by the 1970s oil crisis)
1975 - First Just About Horses issued; first Stablemates released
1984 - Reeves takeover (The factory subsequently moved from Chicago to New Jersey.); Little Bits released
1990 - First BreyerFest
Next time, a look at some of the molds that Breyer copied from other manufacturers.
Tuesday, August 25, 2015
Judging Breyer Collectibility: Basic Required Knowledge
I find this incredibly dismaying because it suggests to me that those who make these complaints are likely not confident in their abilities as a judge and that they are unwilling to acknowledge it or to seek greater education to remedy it. This attitude is sadly what killed off Project '88, the hobby's best attempt at a program to provide basic judging certification. This attitude is frustrating as well because education is absolutely key in this hobby---there is always something new to learn. Our knowledge of equine color genetics has improved radically in the last 15 years for example, fashions and trends are forever changing in the real horse show world, and new, previously unknown models or documentation surface periodically via eBay, estate sales, etc. But I digress.
To move the FB discussion along, Lesli Kathman devised a sample judging test for breed halter with basic knowledge questions about anatomy, bio-mechanics, and color that any reasonably knowledgeable judge should be able to answer. I decided to follow suit and composed a sample test for Breyer collectibility because that is the subject I know best.
Note that this is NOT intended to be a comprehensive test of Breyer minutiae; instead, these questions are meant to demonstrate that a judge has a solid grasp on Breyer history and a good understanding of collectibility judging criteria, both essential qualities in a good Breyer collectibility judge. In my opinion, as a long-time collectibility shower and judge, these are questions that any competent Breyer collectibility judge should be able to answer easily.
I will follow this up with a series of posts answering the questions for any who are interested, and link the answers below. (I've already covered a few of the topics, so I will go ahead and link to those blog posts.) Be warned that some of these are trick questions!
1) Create a Breyer history time line including the following information (please provide the year or years as close as possible): First Breyer horse issued, Reeves takeover, chalky era, decorator era, blue ribbon sticker era, first Just About Horses issued, first BreyerFest, woodgrain era, general introduction of round Breyer stamp, general introduction of USA stamp
http://modelhorsecollectibility.blogspot.com/2015/09/collectibility-test-breyer-history.html
2) Name four companies Breyer copied models from in the 1950's and/or 1960's.
http://modelhorsecollectibility.blogspot.com/2015/10/collectibility-test-companies-breyer.html
http://modelhorsecollectibility.blogspot.com/2015/02/what-is-chalky.html
4) List Breyer packaging types in chronological order from earliest to latest (ending with the 1980's brown picture boxes). Provide date ranges to the best of your knowledge.
https://modelhorsecollectibility.blogspot.com/2016/06/collectibility-test-good-things-come-in.html
5) Explain the history of the PAM, FAM, and In-Between Mare.
http://modelhorsecollectibility.blogspot.com/2013/04/pams-fams-and-in-between-mares.html
6) Name the five rarest woodgrains.
7) Describe which of the following you factor into collectibility judging and why: condition, age, rarity, desirability, breed standard, documentation, presentation, conformation, color
8) Explain how you would place a class containing small runs (under 30 made or known) and OOAKs. Cite examples as desired.
9) Correctly identify the Breyer Western Horse from the 5 models pictured below. Bonus points if you can correctly identify the manufacturers of the other Western Horse Shaped objects. This turned into a massive research project and four blog posts. They are all linked here:
http://modelhorsecollectibility.blogspot.com/2020/11/western-horse-shaped-objects-wrap-up.html
10) Explain the difference between an official Breyer flockie and a custom flockie.
https://modelhorsecollectibility.blogspot.com/2016/04/collectibility-test-of-flockies-vs-cm.html
Stay tuned!
Friday, June 5, 2015
Thelwell's Kipper: A Leg at Each Corner
Thelwell's first pony cartoon was published in 1953, and his first book of humorous pony illustrations, Angels on Horseback, followed soon after in 1957. The demand for his work, especially the ponies, was tremendous, and not long afterward, licensed Thelwell pony models were introduced to the market.
The earliest I know of were made by a company called Plastech and were probably made in the 1960s and/or 1970s. I've seen examples in grey, brown, and palomino. They all have rooted hair, tack, and a cute little rider (Penelope, perhaps?).
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| Check out the pony's expression. Classic. |
In the 1980s, Beswick and several other ceramics companies made a variety of Thelwell ponies in porcelain and sometimes resin.
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| A seemingly well-behaved Beswick Thelwell. |
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| Beswick's "Point of Departure," rather less well-behaved |
But for the purposes of this post, I am primarily interested in the "Kipper" Thelwell model made by Breyer as there has been some misinformation about the piece floating around lately. Kipper debuted in 1986 and was of great interest to my young self, but apparently was less so to adult collectors at the time (the models did not sell well). The 1986 dealer catalog featured only Kipper but alluded to the production of two other ponies, Midget (pinto) and Pumpkin (palomino).
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| 1986 Breyer dealer catalog |
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| 1986 box catalog |
All four ponies pictured in the catalogs appear to have the same bodies, but the heads and ear positions vary a bit. According to Breyer historian Nancy Young, as per a conversation with Peter Stone, these ponies were resin-cast prototypes, not plastic models. The dappled brown Kipper in the dealer catalog was auctioned off at the first BreyerFest, and Peter noted at the time that it was one of two, the other of which was in his personal collection. Presumably, the pony Peter kept is the true bay shown in the box catalog photo. The Midget and Pumpkin prototypes probably also still belong to Peter.
UPDATE: Interestingly, during the BreyerFest 2021 live stream of the factory archive room, Kelly Weimer and Kelly Keracher, the hosts, showed off this set of Thelwells to collectors. They are made of vinyl, not resin, so it would seem the other Thelwell models made it past prototyping after all. What a shame they weren't all produced!
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| Screen capture of archive live stream |
The Kipper model that Breyer ultimately produced had a very similar head to the prototypes but a different body.
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| Photo courtesy of Melissa Heijmans |
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| Click to enlarge image. Clearly not Breyer nor Thelwell. |
| Star Hill Ponies "Molly" (Photo from eBay) |
| Star Hill Ponies "Scruffy" (Photo from eBay) |
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| The back of the packaging card showing the various ponies. |
I hope this post clears up some of the confusion about what is and is not a Breyer Thelwell. All of the ponies shown here, regardless of maker, are collectible in their own fashion, but hopefully my little bit of sleuthing will save collectors from paying far too much for a models that are not Breyers.
Tuesday, March 17, 2015
"Once upon a time there was a horse named Kelso"

"Once upon a time there was a horse named Kelso. But only once."
~ Joe Hirsch, the "dean" of turf writing
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| Your Host |
In 1956, Your Host stood at Meadowview Farms in Moorestown, NJ, where he was bred to Maid of Flight (Count Fleet x Maidoduntreath, by Man O' War), a well-bred mare who had been only moderately successful on the track. Owned by Mrs. Allaire du Pont, the famed sportswoman, Maid of Flight's breeding that year was mostly one of convenience as Meadowview Farm was not far from Mrs. du Pont's own Woodstock Farm in Delaware. She had hoped for a filly in order to name it after Mrs. Kelso Everett, a close friend, but when the mating produced a colt instead, she gave him the name Kelso anyway.
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| Maid of Flight and Kelso as a foal |
He started for the first time late in his two year-old season, winning a maiden race in Atlantic City first time out and then running second in two allowances. He didn't return to the races until late June of his three year-old season, having been allowed some time to mature both physically and mentally. For a time, he was even for sale, but no one wanted the gangly cribber. He began to show real promise under the tutelage of trainer Carl Hanford, and he won a pair of allowance races by daylight in near record times. In his third start of the year, Kelso was trapped behind a wall of horses and never got a chance to run, finishing eighth. Paired with the inimitable jockey Eddie Arcaro, he would not lose again that year, reeling off six straight wins in the Choice Stakes (won by 7 lengths), the Jerome, the Discovery, the 1 5/8 miles Lawrence Realization (tied Man O' War's track record), the Hawthorne Gold Cup, and the Jockey Club Gold Cup (just a tick off the world record on a sloppy track). Despite not beginning the season until after the Triple Crown races, Kelso earned not only Champion Three Year-Old but also Horse of the Year.
At four, Arcaro piloted Kelso to seven wins in nine starts under imposts as high as 136 pounds while giving away substantial weight to his rivals. He became only the third horse to win the prestigious Handicap Triple Crown comprising the Metropolitan (carrying 130 pounds), Brooklyn (133), and Suburban Handicaps (136). (Only one horse has swept that triple since Kelso did so in 1961.) He also won his second straight Jockey Club Gold Cup, the most important year-end race at the time.
Eddie Arcaro retired at the end of the year, and Kelso's 5 year-old season got off to a bumpy start with Willie Shoemaker in the irons. The two never saw eye to eye, and shortly thereafter, Ishmael "Milo" Valenzuela (uncle of Pat Valenzuela) became Kelso's regular rider. He won only 6 of 12 starts, plagued by poor riding and rabbits carrying far less weight, but he did win a record third Jockey Club Gold Cup by 10 lengths, and he finished a good second on turf in the Washington DC International, defeating Kentucky Derby winner Carry Back. His efforts were enough to nab a third Horse of the Year title.
At six, he started 12 times again, this time winning 9 of them. He won as he pleased regardless of weight, track surface, or distance, and his popularity rose to new heights. "King Kelly," as he was known to his fans, won his third Woodward and his fourth Jockey Club Gold Cup en route to his fourth Horse of the Year title. At seven, he won five of eleven starts, but three of his losses were by a neck, a nose, and a head to horses carrying less weight. He won his fifth straight Jockey Club Gold Cup, setting a new world record in the process and winning by more than five lengths. He also finally captured the turf classic Washington DC International, a race he had run second in for three consecutive years, and he did so in stunning fashion by establishing a new American record for 12 furlongs on turf, 2:23 4/5 (faster than Secretariat). It was enough to clinch an unprecedented fifth Horse of the Year title, and lasting fame as one of the greatest American runners of all time.
Kelso came back at eight and won several stakes including the Whitney before an eye infection caused by flying dirt put a premature end to his season. He made one start at nine, and after running an oddly poor fourth, he was discovered to have a hairline fracture and was retired. The gallant gelding, the leading money earner of his day, became Mrs. du Pont's personal hunter, and he had a good deal of success as a show jumper as well.
In October 1983 at the age of 26, Kelso traveled to Belmont to appear before the post parade with two other champion geldings, Forego and John Henry, to benefit the Thoroughbred Retirement Fund. Rarely have three such legendary horses ever been in the same place at the same time.
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| The photo that very likely inspired Maureen Love's sculpture |
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| Photo courtesy of Tom Bainbridge |
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| Photo courtesy of Teresa Fedak |
| Kelso variations |
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| A typical early Kelso with two socks |
| An early two-sock Kelso with pretty shading |
| A nearly black Kelso with very oversprayed socks |
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| A rare four-sock variation |
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| An early 1980s reddish bay Kelso with one sock |
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| Another 1980s variation with no socks |
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| 1970s box (Photo courtesy of Corrie McDermott) |
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| The informative side-panel of the 1970s box (Photo courtesy of Corrie McDermott) |
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But that said, Kelso is always a good investment, regardless of medium. Value aside, he is an aesthetic treasure and an elegant reminder of one of the most talented American Thoroughbreds of all time.
Wednesday, March 4, 2015
Blog and ye shall receive?
This chalky bay Clydesdale Stallion looks ordinary from this side...
But from this side, you can see there's something peculiar under that bay paint.
Here's a close up of the chipped spot on his rump revealing the original woodgrain paintjob underneath. You can just see the white layer of paint in between the woodgrain and bay paint.
Here's a better shot of the layers of paint on this model. The bay paint has rubbed away revealing the white basecoat, the basecoat has been chipped to reveal the woodgrain paintjob underneath, and the woodgrain paint is a bit rubbed, too, showing the creamy colored plastic underneath that.
The white basecoat paint is cracking and lifting in various places on this model, so I think it didn't adhere well to the topcoat Breyer put over the woodgrain finish. The paint in the chipped area on the rump is very fragile and flaky, and if I wanted, it would be easy to peel it away to reveal more of the woodgrain paintjob. If it were a particularly rare woodgrain, I might be tempted, but even in this beat up condition, I think my Clyde is much more interesting as is. He's a weird and wonderful piece of Breyer history.
Other hobbyists have tried to strip painted-over-decorators with varying success. Collector Karen Hoagland found a chalky bay Running Mare that had been painted over a Gold Charm, and because the white basecoat didn't stick well to the gloss, she was able to easily peel away the bay paint revealing the decorator underneath.
| Chalky bay Running Mare with some of the paint removed (neck) revealing the Gold Charm paint underneath. (Photo courtesy of Karen Hoagland) |
| Chalky bay Running Mare with nearly all of the bay paint stripped except on her face, legs, mane, and tail. (Photo courtesy of Karen Hoagland) |
| The chalky bay paint pulled away in strips although it did take a layer of gold with it. (Photo courtesy of Karen Hoagland) |
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| (Photo courtesy of Sande Schneider) |
Friday, February 20, 2015
What is a Breyer chalky?
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| Chalky mahogany Proud Arab Mare |
When collectors talk about chalkies, they are usually referring to basecoat chalkies. Simply put, basecoat chalkies are models that were painted with a layer of white paint before being painted with their usual color. (The reason for this will be explained below.) Because of this layer of white paint, the models often look like vintage chalkware (painted plaster figurines), hence the name. Chalkies with white markings are the easiest to identify because the markings are very clearly painted white and are not bare white plastic. Solid colored models with no white markings can be harder to identify, but there are a few tricks to keep in mind.
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| Non-chalky Western Pony (left) and chalky Yellow Mount (right) |
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| Chalky (left) and non-chalky (right) hoof bottoms |
| Chalky Man O' War with speckly paint |
| This chalky donkey has green plastic lurking beneath a rubbed ear tip |
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| Another donkey with green plastic underneath. This one shows the characteristic waffling pattern. |
The earliest chalky models date to the 1950s. These models are both chalky and glossy, a combination that gives them the illusion of being made of fine china. At the time, Breyer was just getting started with their animal line, and a number of their early molds were copied from ceramic pieces by companies like Hagen-Renaker, Boehm, and Rosenthal. Many bore gold "tenite" stickers to assure buyers that while the models looked like fragile porcelain, they were in fact made of durable plastic. Chalkies from the 1950s and 1960s tend to be very scarce.
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| Very rare Old Mold Chalky Bay Proud Arab Mare (mold based on a Hagen-Renaker design) |
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| Chalky Walking Hereford (copied from a Boehm piece) |
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| A gold foil "tenite" sticker (as seen on a woodgrain) |
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| A stripped chalky, formerly a bay Thoroughbred Mare |
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| Traditional scale chalky Yellow Mount |
| Chalky Classic Arabian Mare |
| Tiny chalky Stablemate G1 American Saddlebred |
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| Chalky Texas Longhorn |
| This purple plastic Midnight Sun did not have a white basecoat. He was just painted straight black over the colorful plastic. |
| This formerly Battleship Grey Donkey had no white basecoat between the blue plastic and grey paint. |
Another variety of pseudo-chalkies are models made of chalky plastic. They are not basecoated in white paint, but instead they are made of dense, highly opaque white plastic that mimics the look of a white basecoat. They are often very difficult to tell apart from basecoat chalkies in photos, but in hand, the difference is usually clear. Most chalky plastic models seem to date to the 1970s like their basecoated counterparts. Interestingly, they seem to be less common than basecoated chalkies.
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| Chalky plastic Classic Swaps (Photo by squirrelchild on OMH. Used with permission.) |
But since then, Breyer has issued a variety of chalkies or chalky-like models as regular runs. Pluto the Lipizzaner and Alborozo were both intentionally painted white over bare plastic and then shaded with grey. Kiowa, the Jumping Horse issued for the Vintage Club in 2014, was created specially for collectors as a chalky.
Occasionally, Breyer has created chalkies by painting over already finished models, usually models that are known to have been poor sellers. Giltedge, a florentine Hackney made in 1996, was plagued with problems when released and many were returned to Breyer. They were painted over and given a black paintjob with white markings and then resold at BreyerFest 1997 as Excalibur. If you click the link, you'll see the Excalibur model has a rub on the rump revealing the gold paint underneath.
The most notorious of these painted over duds are the repainted decorators from the 1960s. Collectors cringe to think of it now when decorators are highly sought after and command four-figure prices, but when they originally sold in the 1960s, the decorators were dubbed "duds" by Breyer owner Sam Stone (father of Peter Stone) because of poor sales. In recent years, collectors have discovered decorators hidden under basecoat chalky paintjobs by holding them up to the light to reveal dappling or by spying gold or blue paint in places where the models have been rubbed.
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| A chalky bay Fighting Stallion that is a repainted Copenhagen. (Owned and photographed by Sara Roche.) |
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| A chalky buckskin Mustang that is a repainted woodgrain. (Owned and photographed by Sara Roche.) |
| Partially chalky Black Beauty Fury Prancer |
| TV's Fury with his original paper saddle |
For a list of chalky models that have been found as well as a gallery of chalky model photos, please visit Sara Roche's excellent Virtual Chalky Museum website.









































